PWR BTTM Unleashes The Glitter At SXSW 2017
March 18, 2017 - bbq set
When PWR BTTM takes a stage, it doesn’t take prolonged to figure out what you’re going to get. From a initial glitter-smeared seconds of a set-opening “Silly,” a rope came to fragment and strut with spreading joy, finish with backbends and solos and spangly outfits — during slightest one of that wouldn’t tarry a band’s set during Stubb’s BBQ in Austin, Texas, available live for NPR Music Wednesday night.
But a New England pop-punk band, stretched given a arrangement from a twin to a four-piece with a further of keyboardist Cameron West and bassist Nicholas Cummins, also paused for lengthy, heartfelt, frequently waggish digressions. For each aside about a energy and significance of strain as a approach to combine and strengthen a vulnerable, Ben Hopkins and Liv Bruce would reason justice about vegan hollandaise sauce, a significance of tipping bartenders, or a fervently voiced enterprise to “drown in Topo Chico.”
PWR BTTM weighted a set heavily toward element from a stirring Pageant, due out May 12 — and even brought out Alynda Lee Segarra of Hurray For The Riff Raff to join in for a common opening of a strain “LOL.” And, in gripping with a free-wheeling chaff that preceded it, Hopkins had to postponement to regard Segarra’s outfit: “You demeanour like Patti Smith if she had an Etsy store.” For PWR BTTM, a ideally offset cocktail of blunt charge and forked frolic — wryly self-effacing though always resolutely rendered — valid probably unfit to resist.
- “Ugly Cherries”
- “Big Beautiful Day”
- “Answer My Text”
- “New Trick”
- “I Wanna Boi”
Producers: Robin Hilton, Mito Habe-Evans; Director: Mito Habe-Evans; Technical Director: Josh Rogosin; Audio Engineer: Timothy Powell/Metro Mobile; Concert Videographers: Lizzie Chen, Nickolai Hammar, Katie Hayes Luke, Colin Marshall, Kelly West; Editor: Annabel Edwards; Supervising Editor: Niki Walker; Executive Producer: Anya Grundmann; Special Thanks: SXSW, Stubb’s BBQ